James Morton seated at his grinding machine in a cap and ear defenders, tattooed arms, bent to the work, the Ernest Wright workshop behind him.
Makers

James Morton

Scissor Maker · Ernest Wright

Sheffield, South Yorkshire

Documentary Archive · June 2026 · The Sheffield Trade

Six years at the machines, and the work has become second nature - the blade read by eye, by sound, by the heat coming up through the steel.

Name James Morton
Trade Scissor maker
Workshop Ernest Wright, scissor makers since 1902
Location Sheffield, South Yorkshire
Category Makers - people whose knowledge lives in their hands and cannot exist anywhere else
Session June 2026 · a full day at the Ernest Wright workshop
At Ernest Wright About six years · working the grinding and finishing machines
Craft status Scissor making on the Heritage Crafts Red List
Archive ID MK-0027

Six Years In

James Morton has been at Ernest Wright about six years - long enough that the machines no longer feel like machines. His station is the grinding and finishing kit: the wheel and the abrasive belt that take a forged blade and bring it up to its edge. Scissor making is one of the rarest trades in the country, on the Heritage Crafts Red List, and there is no shortcut into it. You learn it at the bench, slowly, until the hands know what the eyes are checking for.

James Morton seated at his machine, shaved head and full beard, tattooed arms, gloved hands resting, looking off-camera with a slight smile, the bright workshop behind him.
Six years at the machine, and the ease that comes with it. IM-0783

At the Machine

The work is held, not clamped. James takes the blade in gloved hands and brings it to the belt or the wheel, turning it against the abrasive so the metal comes away exactly where it should and nowhere else. The belt grind - flexible grinding, in the trade’s own words - is one of the skills that marks out a Sheffield scissor maker, and it is done entirely by feel: too much pressure or too long in one place and the blade is spoiled. Ear defenders on, safety glasses down, he reads each blade in turn and moves to the next.

James seated side-on at the grinding machine, working a blade, the extraction hood and bench behind him.
At the wheel, the extraction hood above the work. IM-0782
A close view of two gloved hands holding a scissor blade against the contact roller of a belt-grinding machine.
A blade to the belt - the flexible grind that brings the edge up. IM-0777
James bent close over his work, cap and ear defenders on, safety glasses down, beard and a tattooed arm catching the light.
Reading the blade by eye, glasses down, ear defenders on. IM-0778
James in profile bent over the machine, working a blade, the bright workshop windows behind him.
The same motion, blade after blade. IM-0779

The Station

His machine is a piece of old Sheffield iron, a maker’s plate still bolted to its side, the extraction pipe running overhead to pull the dust off the work. It runs loud and close, one of a row of stations spaced down the floor. Six years in, James is past the stage of thinking about every movement; the routine has the steadiness of something done ten thousand times, which is exactly how long it takes for a craft like this to become reliable.

James seated in profile at his long cast-iron grinding machine, the polished extraction pipe running overhead, working a blade.
The machine in full - old Sheffield iron, still earning its keep. IM-0784
James seated at his grinding machine under the fluorescent light, gloved hands holding a blade to the wheel, the machine controls at its base.
Gloved hands, the blade held steady to the wheel. IM-0781
James seen from behind through racked blades, ear defenders on, at his machine, a maker’s plate and cabling on the wall beyond.
Seen down the bench - the back of a long shift. IM-0780

The Record the Archive Holds

This is the archive’s record of James Morton, made at Ernest Wright in Sheffield in June 2026: six years at the grinding and finishing machines of a workshop that has made scissors by hand since 1902. Every blade that passes his wheel ends up here - struck with the maker’s mark, married into a pair, and sent out as a tool meant to last a lifetime. Scissor making is on the Heritage Crafts Red List; it survives one trained pair of hands at a time.

A finished scissor blade held across a hand, the ERNEST WRIGHT maker’s mark and SHEFFIELD etched along the steel.
The maker’s mark - ERNEST WRIGHT, SHEFFIELD, struck into the finished steel. IM-0724