Where the money goes
A documentary day - the £600 unit
The £600 figure that anchors the Sponsor a Shoot tiers is the actual cost of a single working day for the documentation team. The components, in order of size:
- The team on the road. Mash as the primary documentary photographer, Bhavani as field producer, and (at scale) a collaborating photographer. Today the third role is most often filled by Mash himself; sponsorship funds the third pair of hands. Travel and a working day’s time per person.
- Fuel and travel. Most subjects are documented several hours from London. Fuel for the car or train tickets when the location is rail-served. Far locations needing an overnight stay add £100 - £400 per night.
- Film and processing. Two rolls of medium-format Bronica film typically (£20 + £25 lab processing each) plus the digital working frames.
- The editorial pass. Several days of work after the visit - image selection, prose, captioning, archive ID assignment, page build, registry entries.
- The archival print returned to the subject. Every documented person receives a signed, mounted Hahnemühle print of a frame from their visit. Cost is part of the work, not optional.
The three tiers stack day-multiples on top: £600 = one day, £1,800 = a three-day multi-visit body of work, £6,000 = ten days across a season. Far locations with overnights are documented per-entry on the page being sponsored, so the visitor sees the actual cost of the specific shoot.
Of every £100 received
Vernacular Archive CIC is small enough that every line is visible. Of every £100 received:
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~95% Direct documentary cost Train tickets, fuel, film stock, processing at a working London lab, archival paper for the prints returned to subjects, the editorial time the work takes between shoot and publication.
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~3% Stripe card fees UK Stripe pricing is 1.5% + 20p per European card transaction (higher for international cards). Blended across gift sizes and card mixes, the line averages around 3%.
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~2% Admin overhead Site hosting, the email pipeline, file storage, the CIC’s annual filings. Kept deliberately small.
There is no fundraising department and no marketing line. The project is run by Mash, the founder, with editorial and partnership support from the institutional ring documented on The Ring. Every line above is a real receipt; if the proportions ever change materially, this page changes with them.
Tax and structure
Vernacular Archive CIC is a Community Interest Company registered in England and Wales (Company No. 16432951). A CIC is not a charity, which means contributions are not tax-deductible and the project does not issue Gift Aid declarations. The trade-off is operational simplicity: every penny goes directly to the work rather than to fundraising overhead.
Other ways to support
If a financial contribution is not the right fit, three other channels:
- A subject referral. Tell us about a maker, keeper, carrier, rememberer, steward, or gatherer whose work should be on record. /contact.
- An institutional partnership. If your organisation works in heritage, photography, or publishing, the named-pillar and named-programme tiers in section 2 above are the formal route.
- The Bench. If you make something with your hands, contribute your own process photographs to the reader-led register. /bench.
Whichever route - thank you. Every photograph published on this archive is supported by people the archive will probably never name. The work is shared.