Evan James seated at his grinding station in the Ernest Wright workshop, a hand-painted sign above reading wear ear protectors and goggles when operating this machine.
Makers

Evan James

Scissor Grinder · Ernest Wright

Sheffield, South Yorkshire

Documentary Archive · June 2026 · The Sheffield Trade

Eighteen months ago he had never ground a blade. Now the sparks come off the wheel in a fan, and the edge comes up true.

Name Evan James
Trade Scissor grinder
Workshop Ernest Wright, scissor makers since 1902
Location Sheffield, South Yorkshire
Category Makers - people whose knowledge lives in their hands and cannot exist anywhere else
Session June 2026 · a full day at the Ernest Wright workshop
At Ernest Wright About eighteen months · working the grinding wheel
Craft status Scissor making on the Heritage Crafts Red List
Archive ID MK-0026

The Grinder

Evan James is one of the newer makers at Ernest Wright, about eighteen months into the trade, and his station is the grinding wheel. Grinding is the stage that turns a forging into a blade. A scissor blade leaves the forge as a rough shape; on the wheel the grinder takes it down - working the hollow into the inner face and the long bevel back from the cutting edge - so that, much later, the two halves of a pair will meet clean and shear rather than crush. It is hot, loud, spark-throwing work, done by eye and by feel against a wheel that does not forgive a slip.

Evan James seated astride the wooden grinding horse in a cap and glasses and dungarees, looking to camera, a large wrench hanging on the wall behind him.
About eighteen months in, and already at home on the grinder’s seat. IM-0774

What Comes to the Wheel

The blades arrive at his bench in racks - drop-forged in one piece, dull and square-edged, every one needing the same work before it is anything you would call a scissor. Evan sorts and squares them up, then takes them to the wheel a handful at a time. The craft is the same one Ernest Wright has practised since 1902, and the grinder’s part of it is the one that cannot be faked: a blade that is ground wrong is scrap, and a blade that is ground right is the foundation everything after it depends on.

Rows of part-finished scissor blades racked on steel rods, their ground edges catching bands of light, in the dark of the workshop.
Part-finished blades, racked - each one ground, not stamped from a mould. IM-0721
Evan James bent over a bench in a cap and ear defenders, working a small steel part with both hands, another maker at a station behind him.
At the bench, ear defenders up, working a part before it goes to the wheel. IM-0769

On the Wheel

I could have watched this all day. At the wheel Evan sits astride the trough, the blade held flat to the stone, and the metal comes off in a bright fan of sparks that streams the length of the guard. There is no gauge for any of it. He reads the blade by the colour of those sparks, the note of the wheel and the heat coming up through the steel, easing off before the edge burns and the temper is lost. What struck me, standing behind him, is that the most dramatic-looking job in the building is in truth one of the most controlled - the same motion on blade after blade, each one a little different, each demanding the whole of his attention, and not one allowed to overheat by a second.

A blade held flat against a spinning grinding wheel, a bright fan of sparks streaming off to the left, two hands steadying the steel.
A blade to the wheel - the grind throws a fan of sparks the length of the trough. IM-0770
Seen from behind, Evan seated astride the grinding trough holding a blade to the wheel, sparks streaming across the dark guard.
Seated at the wheel, taking the edge down one blade at a time. IM-0771

The Grinding Shop

Evan’s wheel is one of a row. The grinding shop runs loud and close under its extraction ducting, the makers spaced down the line, and a man in his second year is learning as much from the hands either side of him as from his own. That is how this trade has always moved from one generation to the next: not through a course - there is no course - but at the bench, beside someone who has done it ten thousand times, until the reading of the blade goes from thought to reflex. It is worth saying plainly what I was actually looking at. Evan is eighteen months in; the skill in that room is critically endangered; and the only reason it will still exist in fifty years is that the men on either side of him are, right now, pouring it into someone this young.

Evan in ear defenders at his grinding wheel in the foreground, the line of grinding stations and overhead extraction ducting receding behind him.
The grinding row - Evan at his wheel, another maker further down the line. IM-0772

The Record the Archive Holds

This is the archive’s record of Evan James, made at Ernest Wright in Sheffield in June 2026: a grinder about eighteen months into the trade, at the wheel where every blade in the building is brought to its edge. Scissor making is on the Heritage Crafts Red List, and a craft on that list survives one new pair of hands at a time. His are among the newest.

A wide view of the Ernest Wright grinding shop: Evan at a wheel mid-floor, racks of blades on the bench, other makers and a window beyond.
The grinding shop mid-shift - benches of blades, the makers at their stations. IM-0773