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The Project Leaves the Building

A procession of druids in white robes walking along Muscovy Street near Tower Hill, with a church spire rising above the office buildings behind them
Druid spring equinox procession, Muscovy Street, Tower Hill. March 2026.

Something shifted this week that I did not plan for.

The outreach has been running for a few weeks. Seventy-four contacts across all eight regions and all six categories - Makers, Keepers, Carriers, Rememberers, Stewards, Gatherers. The expectation, based on thirty years of doing this kind of thing, was a slow trickle. A few cautious yeses over several months. A lot of polite silence.

That is not what happened.

The responses came quickly, and a lot of them came with something I had not anticipated: relief. Not enthusiasm in the promotional sense, but the specific warmth of people who have been doing quiet, serious work for a long time and do not often get a call from someone who has actually read about what they do before picking up the phone. A millwright in Norfolk. A willow grower on the Somerset Levels. A silversmith in Chipping Campden. The first confirmed visits are already in the calendar. But the truth is the project left my desk weeks ago.


Two conversations this week that I will be thinking about for a while.


On Thursday I walked down to Tower Hill at dusk for a Druid spring equinox ceremony.

This was not a planned shoot. A contact invited me along and I went with the Leica Q3 and no particular expectation. What I found was a small group of people in robes moving through the city in complete seriousness, in full view of commuters and tourists who mostly carried on walking. There was something very English about that exchange - the spectacle absorbed without comment, both sides behaving as though nothing unusual was happening.

I made a handful of frames. One of them is good. A procession moving along Muscovy Street with a church spire rising above the office buildings behind them. Two Englands in the same frame, both present, neither acknowledging the other. It reminded me of something worth keeping hold of: the work I am trying to do is already everywhere. The country is full of people maintaining practices that most of the people walking past them cannot name. The project is just the act of stopping and paying attention.



I want to say something honest about where the project is right now, because the calendar is filling up and it would be easy to mistake that for progress.

Having confirmed visits is not the same as having an archive. Having warm responses is not the same as having trust. There is a gap between someone saying yes to a photographer and that photographer making a frame they could not have made anywhere else - a frame that actually carries the weight of a particular life, in a particular place, doing a particular thing that may not exist in twenty years. That gap is where the real work lives, and I will not know how wide it is until I am standing in it.

What I know is that the access is opening. The conversations are real. The people saying yes are not being polite - they are saying yes because the question is one worth answering.

The camera comes out soon.

Further in the archive